Many thanks to Sabotage Reviews, which recently published a review of Rapture. In describing what he sees as the book’s approach to desire (‘so unabashed, so unaffected’), its ‘ambiguous morality’, and its ‘subversive religious material’, Humphrey Astley writes:
Clearly, [Kelly is] concerned with themes of innocence versus experience, though they seem to coexist in her poetry, in a world where erotic frustration is imbued with prepubescent visions ‘the colour of my childhood bedroom’. In this sense, Kelly can be associated with an emerging school of metamodernism, or ‘naive capability’, if you like. Such art exists between tradition and modernity, in the midst of a coming-of-age, ‘between the old, known world / and some fiery entrance to elsewhere.’
The full review is available to read here.